American Experience

Unfolding like a political thriller, Taken Hostage tells the story of the Iran hostage crisis, when 52 American diplomats, Marines, and civilians were held hostage at the American Embassy in Tehran on November 4, 1979. For the next 444 days, the world watched as the United States received a daily barrage of humiliation, vitriol, and hatred from a country that had long been one of our closest allies. Told through the candid, personal testimony of those whose lives were upended by the action, the crisis would transform both the U.S. and Iran and forever upend the focus and direction of American foreign policy.

The film is told mainly through the lens of the remarkable love story of former hostage Barry Rosen and his wife Barbara, who was suddenly thrust into the public eye as the crisis dragged on. Other key figures are Hilary Brown and Carole Jerome, two pioneering female foreign correspondents who risked their lives to uncover the truth of what was happening in Iran; Gary Sick, a senior member of President Carter's national security team and longtime Iran expert; and Colonel James Q. Roberts, a member of the top-secret American commando unit, who recounts details of the failed attempt to rescue the hostages in a daring Special Forces operation. Taken Hostage uses their candid, personal testimonies to tell the story of these dramatic, history-making events.

Unfolding like a political thriller, Taken Hostage tells the story of the Iran hostage crisis, when 52 American diplomats, Marines, and civilians were held hostage at the American Embassy in Tehran on November 4, 1979. For the next 444 days, the world watched as the United States received a daily barrage of humiliation, vitriol, and hatred from a country that had long been one of our closest allies. Told through the candid, personal testimony of those whose lives were upended by the action, the crisis would transform both the U.S. and Iran and forever upend the focus and direction of American foreign policy.

The film is told mainly through the lens of the remarkable love story of former hostage Barry Rosen and his wife Barbara, who was suddenly thrust into the public eye as the crisis dragged on. Other key figures are Hilary Brown and Carole Jerome, two pioneering female foreign correspondents who risked their lives to uncover the truth of what was happening in Iran; Gary Sick, a senior member of President Carter's national security team and longtime Iran expert; and Colonel James Q. Roberts, a member of the top-secret American commando unit, who recounts details of the failed attempt to rescue the hostages in a daring Special Forces operation. Taken Hostage uses their candid, personal testimonies to tell the story of these dramatic, history-making events.

In the first decades of the 20th century, when scientific innovations were transforming life, researchers made a thrilling new claim: they could tell whether someone was lying by using a machine.

Popularly known as the "lie detector," the device transformed police work, seized headlines, and was extolled in movies, TV, and comics as an infallible crime-fighting tool. Husbands and wives tested each other's fidelity. Corporations routinely tested employees' honesty, and government workers were tested for loyalty and "morals."

But the promise of the polygraph turned dark, and the lie detector too often became an apparatus of fear and intimidation. Written and directed by Rob Rapley and executive produced by Cameo George, The Lie Detectoris a tale of good intentions, twisted morals, and unintended consequences.

Raised in the small all-Black Florida town of Eatonville, Zora Neale Hurston studied at Howard University before arriving in New York in 1925. She would soon become a key figure of the Harlem Renaissance, best remembered for her novel, Their Eyes Were Watching God. But even as she gained renown in the Harlem literary circles, Hurston was also discovering anthropology at Barnard College with the renowned Franz Boas. She would make several trips to the American South and the Caribbean, documenting the lives of rural Black people and collecting their stories. She studied her own people, an unusual practice at the time, and during her lifetime, became known as the foremost authority on Black folklore. This episode is an in-depth biography of the influential author whose groundbreaking anthropological work would challenge assumptions about race, gender, and cultural superiority that had long defined the field in the 19th century.

For generations, Monopoly has been America's favorite board game, a love letter to unbridled capitalism and — for better or worse — the impulses that make our free-market society tick. But behind the myth of the game's creation is an untold tale of theft, obsession, and corporate double-dealing. Contrary to the folksy legend spread by Parker Brothers, Monopoly's secret history is a surprising saga that features a radical feminist, a community of Quakers in Atlantic City, America's greatest game company, and an unemployed Depression-era engineer. And the real story behind the creation of the game might never have come to light if it weren't for the determination of an economics professor and impassioned anti-monopolist.

Part detective story, part sharp social commentary, and part pop-culture celebration, Ruthless: Monopoly's Secret History presents the fascinating true story behind America's favorite game.

The Movement and the "Madman" shows how two antiwar protests in the fall of 1969 — the largest the country had ever seen — pressured President Nixon to cancel what he called his "madman" plans for a massive escalation of the U.S. war in Vietnam, including a threat to use nuclear weapons. At the time, protestors had no idea how influential they could be and how many lives they may have saved.

Told through remarkable archival footage and firsthand accounts from movement leaders, Nixon administration officials, historians, and others, the film explores how the leaders of the antiwar movement mobilized disparate groups from coast to coast to create two massive protests that changed history.

For nearly 50 years, biophysicist and inventor Mária Telkes applied her prodigious intellect to harnessing the sun's power. She designed and built the first successfully solar-powered house in 1949 but was perplexed by the knotty scientific challenge of developing a reliable and economical way to store captured solar energy. Telkes held more than 20 patents at the time of her death in 1995.

In the 1950s and '60s, an underground network of transgender women and cross-dressing men found refuge at a modest house in the Catskills region of New York. Known as Casa Susanna, the house provided a safe place to express their true selves and live for a few days as they had always dreamed—dressed as and living as women without fear of being incarcerated or institutionalized for their self-expression. 

Told through the memories of those whose visits to the house would change their lives, the film provides a moving look back at a secret world where the persecuted and frightened found freedom, acceptance, and, often, the courage to live their lives out of the shadows.

On September 12, 1974, police were stationed outside schools across Boston as Black and White students were bused for the first time between neighborhoods to comply with a federal court desegregation order. The cross-town busing was met with shocking violence, much of it directed at children: angry white protestors threw rocks at school buses carrying Black children and hurled racial epithets at the students as they walked into their new schools. The chaos and racial unrest would escalate and continue for years. Using eyewitness accounts, oral histories, and news footage that hasn't been seen in decades, The Busing Battleground pulls back the curtain on the volatile effort to end school segregation, detailing the decades-long struggle for educational equity that preceded the crisis. It illustrates how civil rights battles had to be fought across the North as well as the South and reckons with the class tensions and dimensions of the desegregation saga, exploring how the neighborhoods most impacted by the court's order were the poorest in the city.

In The Harvest, Pulitzer Prize-winning author Douglas A. Blackmon looks back at how school integration transformed his hometown of Leland, Mississippi. After the 1954 Supreme Court ruled that racial segregation in public schools was unconstitutional, little more than token efforts were made to desegregate Southern schools. That changed dramatically on October 29, 1969, when the high court ordered Mississippi schools to fully — and immediately — desegregate. As a result, a group of children, including six-year-old Blackmon, became part of the first class of Black and White children who would attend all 12 grades together in Leland.

Set against vast historic and demographic changes unfolding across America, The Harvest follows a coalition of Black and white citizens working to create racially integrated public schools in a cotton town in the middle of the Mississippi Delta, the most rigidly segregated area in America. It tells the extraordinary story of how that first class became possible, then traces the lives of Blackmon and his classmates, teachers, and parents from the first day through high school graduation in 1982. It is a riveting portrait of how those children's lives were transformed and how the town — and America — were changed. But as the film follows the lives of those children into the present, it is also a portrait of what our society has lost in its failure to finish the work begun a generation ago.

The War on Disco explores the culture war that erupted over the spectacular rise of disco music. Originating in underground Black and gay clubs, disco had unseated rock as America's most popular music by the late 1970s. But many diehard rock fans viewed disco, with its repetitive beat and culture that emphasized pleasure, as shallow and superficial. A story that's about much more than music, The War on Disco explores how the powerful anti-disco backlash revealed a cultural divide that to some seemed to be driven by racism and homophobia. The hostility came to a head on July 12, 1979, when a riot broke out at "Disco Demolition Night" during a baseball game in Chicago.