Next Episode of Barenboim on Beethoven is
not planed. TV Show was canceled.
To mark the 200th anniversary of Ludwig van Beethoven's birth in 1970, Daniel Barenboim and Christopher Nupen collaborated on a 13-part series about the man and his music. Much of the material they shot was never broadcast and, until recently, the footage lay dormant for half a century. Now, as the 250th anniversary is celebrated, the series has been resurrected in its original form.
In this opening episode, Barenboim draws on excerpts from piano sonatas, concertos, and symphonies by Beethoven - comparing them with superficially similar works by Mozart.
Daniel Barenboim shines the spotlight on Beethoven's formal innovations - just as he refused to show subservience to his aristocratic patrons, he also flouted convention in music.
Daniel Barenboim turns to the monumental Waldstein sonata - one of the most musically ingenious and technically demanding of the 32 piano sonatas.
Barenboim's fiery interpretation of the Appassionata sonata, a spectacular encapsulation of the synthesis of extremes that he discussed in the third episode.
Daniel Barenboim turns his attention to the Leonore Overtures Nos 2 and 3, elucidating the path that Beethoven took from one to the other and the musical reasons for his revisions.
The composer's Piano Concerto No 4, a soulful and contemplative work that finds Beethoven at his most poetic, and a piece holding a special place in the lore of his life and career.
The remarkable Fourth Piano Concerto concludes with Daniel Barenboim alongside Sir Adrian Boult and the New Philharmonia Orchestra.
The effortless musicality and irrepressible joy that have made generations of music lovers fall in love with the A Major Cello Sonata, performed here by Jacqueline du Pré.
Daniel Barenboim turns his attention to Beethoven's Third Symphony, the Eroica, a watershed moment in the evolution of Beethoven's artistry and, indeed, of music itself.
An up-close look at the singular qualities with which Beethoven imbued all his work - the sheer breadth of his expression and his sensitivity for colour and sound.
Beethoven's final piano sonata's first movement, with its many differences in tonal and formal expansiveness, motivic spontaneity, and compositional architecture.
The second movement of Sonata No 32, which presents a vision of eternity undisturbed and a spiritual expression of pure innocence consciously won through the lessons of experience.
A spirited performance of Beethoven's Fifth Symphony, with the young Daniel Barenboim at the helm of the New Philharmonia Orchestra.
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